In the spring of 1968, film critic Roger Ebert reviewed Stanley Kubrick's 2001: A Space Odyssey. The critic couldn't fathom everything he'd just seen: What were those monoliths? What was that final sequence in that creepy hotel about? Who or what, exactly, was the "Star Child?" Ebert didn't care; he knew he'd just seen a masterpiece. Still stunned and overwhelmed, he
This article originally appeared on www.rollingstone.com: In Praise of 'Annihilation' and the Modern 'Weird' Sci-Fi Renaissance
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